This post is less something I will defend to the death and more a form of self-therapy.
There is a great deal of variety in the imagery of these structures, but tame animals and wise rulers are common in structures analogical to the apocalyptic analogy of innocencewhile predatory aristocrats and masses living in squalor characterize analogy to the demonic analogy of experience.
Frye then identifies the mythical mode with the apocalyptic, the ironic with the demonic, and the romantic and low mimetic with their respective analogies.
The high mimeticthen, occupies the center of all four. This ordering allows Frye to place the modes in a circular structure and Dystopia essay introduction to the cyclical nature of myth and archetypes. In this setting, literature represents the natural cycle of birth, growth, maturity, decline, death, resurrectionrebirth, and the repetition of the cycle.
The remainder of the chapter deals with the cycle of the four seasons as embodied by four mythoi: Theory of Genres"[ edit ] In the first three essays, Frye deals mainly with the first three elements of Aristotle's elements of poetry i. In the fourth essay, he explores the last three elements: It may be referred to as diction ear or imagery eye depending on the critical focus.
Frye identifies the connection as such: The world of individual thought and idea has a correspondingly close connection with the eye.
Rhetoric means two things: Rhetorical criticism, then, is the exploration of literature in the light of melos, opsis, and their interplay as manifested in lexis.
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The radical of presentation—the relation or idealized relation between author and audience—is a further consideration. Difference in genre relies not on topical considerations science fiction, romance, mysterynor in length e.
As such, Frye proposes a total of four distinct genres: These four genres form the organizing principle of the essay, first examining the distinctive kind of rhythm of each, then looking at specific forms of each more closely.
As Frye describes each genre, he explains the function of melos and opsis in each. To understand Frye's melos, it is important to note[ according to whom?
He contends that the common usage of the term is inaccurate for purposes of criticism, drawn from analogy with harmony, a stable relationship. Music, however, does not consist of a plastic, static, continuously stable relationship, but rather a series of dissonances resolving at the end into a stable relationship.
Poetry containing little dissonance, then, has more in common with the plastic arts than with music. The original presentation of the epic was ta epe that which is spokenand when an author, speaker, or storyteller addresses a visible audience directly, we have epos.
The rhythm of epos is that of recurrence i. These are the rhythms most commonly associated with poetry.This essay delves deeply into the origins of the Vietnam War, critiques U.S. justifications for intervention, examines the brutal conduct of the war, and discusses the .
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Anatomy of Criticism: Four Essays (Princeton University Press, ) is a book by Canadian literary critic and theorist, Northrop Frye, which attempts to formulate an overall view of the scope, theory, principles, and techniques of literary criticism derived exclusively from literature.
Frye consciously omits all specific and practical criticism, instead offering classically inspired theories.